Taylor 112ce-S - natural satin

Players love Grand Concert acoustic guitars for their articulate sound and compact dimensions, and the strong>TAYLOR 112ce-S acoustic/electric guitar fits the bill at a price point that's especially ideal for new players.
A solid spruce top delivers bold, punchy sound with a balanced, clean character, making it a great choice for fingerstyle players as well as flatpickers and strummers.
New and experienced players alike will appreciate the responsive, relaxed feel of the slender Taylor neck, and with ES2 electronics on board, you're guaranteed authentic acoustic tone whenever you need to plug in to an amplifier or PA.
A lightweight yet sturdy structured gig bag provides ample protection for carrying the 112ce-S between home, lessons and wherever else your music takes you.

The Taylor's small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC’s compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar’s slightly wider neck gave players more room for complex fingerings. The GC’s smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players.
Current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.

As a guitar soundboard, or top, Sitka spruce is the tonewood standard of the modern era. It’s used on 85-90 percent of the guitars that Taylor makes. Its combination of strength and elasticity translates into a broad dynamic range, yielding crisp articulation and allowing for everything from aggressive strumming and flatpicking to fingerpicking. Sitka spruce is Bob Taylor’s personal favorite for an all-around great guitar.

While the rich tones of solid wood remain unmatched, a layered wood construction can yield great sound in a beautiful, durable and affordable instrument. Such is the case with layered sapele, in which we use interior and exterior veneers of sapele with a core layer of poplar between them. One of the benefits of layered wood for guitars is extra resilience in the face of fluctuating humidity conditions.
Taylor’s layered backs and sides incorporate three layers of wood, featuring a middle core of poplar with a veneer on each side. While layered woods won’t produce quite as complex a sound as solid woods, they allow us to blend exotic looks with climate-resilient construction.