Austrian audio CC8 Stereo Set

The CC8 is a small-diaphragm condenser microphone designed in Vienna and hand-assembled. Its objective is clear: to offer faithful, natural, and balanced reproduction with precise but never harsh highs. It is aimed at sound engineers and musicians who seek a clean, detailed, and immediately usable sound.

Its greatest strength lies in its ability to handle very high sound levels—up to 156 dB SPL—thanks to its switchable attenuators (-10 dB and -20 dB). As a result, it remains reliable and controlled even with the most dynamic sources.

A modern approach to the “neutral” microphone

In the tradition of small-diaphragm microphones, the CC8 focuses on a linear response and excellent sonic coherence. But where some classic models remain minimalist, this one incorporates practical tools designed for today's conditions: pads, low-cut filters, and a full range of accessories.

The idea is simple: maintain a transparent sonic signature while facilitating both studio and live work. The sound is precise, airy, with excellent definition that allows you to capture nuances without overloading the mix. High frequencies are present but controlled—ideal for reproducing attack and detail without harshness.

Versatile: From delicate acoustics to drums

The CC8 naturally excels with acoustic instruments: guitars, strings, piano, classical ensembles, or choirs. Its cardioid polar pattern helps isolate the source and limit bleed, even in less-than-ideal environments.

But it doesn't stop there. Thanks to its high-level tolerance, it proves surprisingly effective with drums: overheads, cymbals, hi-hat, or close-set percussion. It maintains headroom without adding harshness to the sound.

Used in pairs, it becomes a formidable tool for stereo recording (AB, XY, ORTF), with a stable and precise image.

Features designed for the field

-10 dB / -20 dB attenuators
These allow you to adapt the microphone to powerful sources directly during recording. Ideal for maintaining good dynamics and preventing any clipping beforehand.

Low-cut filters (60 Hz / 120 Hz)
Perfect for cleaning up the low end of the spectrum right from the recording stage: handling noise, vibrations, rumble, or proximity effect. The sound remains clear, without any loss of detail.

Low self-noise (16 dB SPL A)
Even on very quiet passages, the CC8 remains discreet. It captures nuances with precision, without adding unwanted hiss.

Built to last, ready to use

Robust and reliable, the CC8 operates with 48V phantom power and connects via standard XLR. It integrates effortlessly into any setup, from the home studio to the stage.

It comes with a complete set of accessories (windscreens, clips, stereo bar, case), allowing for quick setup in mono or stereo pair.